Bathroom Imaginations & Screenplay: Saatchya Aat Gharat

To the writer of this movie, Mr. Sanjay Surkar, I just have this to say, "Get well soon!".

My heartfelt best wishes for you to get back into a better mental state, so that Marathi Cinema is spared another horrible state than what was achieved by the late. Laxmikant Berde & the not-so late Mr. Ashok Saraf.

Another suggestion, please do not ponder so much, about culture and humanity...you are incapable to both, and most of all, judging modern humanity.

I saw this movie, and was appalled by the senseless writing and screenplay, all under the guise of "intellectual" cinema. Here is why:

1. The whole movie tries to represent an entire generation, when it actually portrays some management kids (incapable of simple logical thoughts) in a dire situation - the guise of which is so foolish, it makes you see through the callousness of the writer to disregard depth in his story.
2. The movie tries to draw parallels' between mythology and real-life, and the lead is shown lecturing a man over her deep thinking, which, based on the screenplay, is nothing more than comparision to mytical circumstances. Why? Well, again the writer is too bored to use a wifi-laptop while he's relieving his compost, and research humanity, and sociology. Two key elements that are so sorely missed in this movie.
3. The superficial handling of a key topic shows immaturity. Acceptance of an assault victim isnt quite new Mr. Writer, not only that, Indian culture has a seriously long history of infidelity, which I personally believe is far more shocking than being assaulted. But hell, assault is a kick-ass word and sure to tickle the small marathi cine-goers, especially the grey heads that are clinging on to the hope that glory days are around the corner.
4. Undue importance to godly matters, while bearing no relevance to the actual story line, keeps
rearing its' head every once in a while throughout the movie, and gives it a pro-believer stance (its' not quite difficult to guess which community was involved in making the movie), I think the best way to debunk the gods in India would be to kill all demons aka "Bhul Bhulaiyaa" which would certainly open eyes of Indians to the "real" facts of human life and death.
5. Now, lastly to my serious contention that marathi cinema is dying not because of bad characterisation or storylines, but rather because the marathi film-industry is so far away from the modern concepts of human stories and stays so far away from key elements that make classics like Forrest Gump, RDB, Shwaas or all the ones that get oscars and nominations, that no one hopes much more than z-grade from them.

Another interesting fact which I feel is a bit of a sideline to the story, is the fact that its' set in Pune, a city full of students and IT / ITES companies. Full stop. No trade, no finance, nothing. Essentially the story of culturally old parents and young millionaire children. The movie is fantastic, within the boundaries of such a Galapagos, but applying it to anything beyond that is like imagining Dinosaurs as primary dairy suppliers.

However all's not lost, there is always a gem that comes out once in a while, and lets hope someone out there actually decides to take some efforts, do real work and then write movies.